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Guitars &
Castanets is the second album by Austin, Texas-based singer and
songwriter Patricia Vonne. Since releasing her self-titled debut
in 2003, Vonne has rapidly risen within the Texas music scene
thanks to an infectious bilingual mix of the musical styles she
loves that inspired the Austin American-Statesman to dub her "a
Tex-Mex spitfire with a rock'n'roll heart." Her vibrant stage
presence and stirring performances won her the #2 slot as Best
New Live Act in the 2003 Austin Music Pundits Awards.
Produced by Carl Thiel, known for his work with such Austin
musical heroes as Bob Schneider and Monte Montgomery, Guitars &
Castanets features everything from such stirring rock'n'roll
tunes as "Texas Burning" and "Lonesome Rider" to
mariachi-inflected charmers like "La Gitana de Triana" and
"Fiesta Sangria." It includes tributes to such inspirations as
Joe Ely ("Joe's Gone Ridin"), Alejandro Escovedo ("Guitarras y
Castañuelas") and Johnny Reno ("Sax Maniac"), and counts among
its musical guests some of Austin's most noted players:
guitarist Charlie Sexton (hailed for his work in recent years
with Bob Dylan), acclaimed singer-songwriter and guitarist Jon
Dee Graham, nylon string guitar wizard Rick Del Castillo (of the
rising Austin Latino rock band Del Castillo), keyboards player
Michael Ramos (known for his work with The BoDeans, Lucinda
Williams and Patty Griffin), bassist Mark Andes (veteran of such
classic rock acts as Spirit, Jo Jo Gunne and Heart), San Antonio
guitarist Joe Reyes (of Lara & Reyes) and saxophonist Reno
(longtime member of Chris Isaak's band), among others. Rounding
out the collection is the bonus track "Traeme Paz," featured in
the film and on the soundtrack album for "Once Upon A Time In
Mexico."
Vonne attributes her genre-fusing style to growing up in San
Antonio on "my mother's music and my brothers' record
collections." The Spanish folk songs sung by her mother and
Saturday afternoon matinees at San Antonio's Olmos Theater
watching classic movies and MGM musicals formed the foundation
of her aesthetic. But her musical fate was sealed by her first
live concert by Reno and his band The Sax Maniacs and fed by
such favorites as Ely, Stevie Ray Vaughan and Los Angeles-based
Chicano rockers The Cruzados.
Vonne honed her talents in New York City singing back-up and
playing bass in the band Mick & The Maelstroms, and then began
writing her own songs after meeting her creative partner and
husband Robert LaRoche at a show by his band, Virgin recording
artists The Sighs, at Manhattan's China Club. After developing
her Tex-Mex musical brew in New York City and building a
following with gigs at some of Manhattan's premier rock clubs,
Vonne and LaRoche moved to Austin in 2001 to bring her music
back home to Texas.
Releasing her debut album of recordings made in New York on her
own Bandolera Records, Vonne was hailed by the Austin Chronicle
for her "bilingual tour de force [that] melds eclectic with
electric and exudes an elegance seldom associated with rock."
Similarly, Texas Monthly editor and writer Joe Nick Patoski
noted how her "confidant, tuff gal vocals, sharp musicianship
and smart lyricism don't just promise the total package, they
deliver the goods from the get-go."
Vonne has also become one of the busiest artists on the Texas
live music circuit. In addition to headlining her own shows, she
has opened for a wide range of artists like Ely, Escovedo, Los
Lobos, Raul Malo, Buddy Guy, Cyndi Lauper, Johnny Lang, Pat
Green, Charlie Robison and Tito & Tarantula (with whom she also
toured Europe with as a special guest musician in 2002). Since
the release of her debut, Vonne has also toured Europe three
times, appearing in Germany, Austria, France, Spain, Italy,
Holland, Norway and the United Kingdom.
And now with Guitars & Castanets, Vonne celebrates her return to
the state that is her home and all that music means in her life.
"It's a musical reflection of my heritage," she concludes. "It's
my way of giving thanks to my family, these wonderful musicians
that have had such an impact on me, and all the inspiration and
joy that I've gotten from music since I was a child."
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